Lovecraft was right, part 724

New science suggest that “unlighted” and “pallid” stars may generate the “thin, monotonous whine of blasphemous flutes”, while remaining “voiceless”…

When they are accumulating new material stars could generate sound in a very similar manner to that which we observed in the laboratory — so the stars might be singing — but, since sound cannot propagate through the vacuum of space, no-one can hear them.”

… whirled blindly past ghastly midnights of rotting creation, corpses of dead worlds with sores that were cities, charnel winds that brush the pallid stars and make them flicker low. Beyond the worlds vague ghosts of monstrous things; half-seen columns of unsanctified temples that rest on nameless rocks beneath space and reach up to dizzy vacua above the spheres of light and darkness. And through this revolting graveyard of the universe the muffled, maddening beating of drums, and thin, monotonous whine of blasphemous flutes from inconceivable, unlighted chambers beyond Time; the detestable pounding and piping whereunto dance slowly, awkwardly, and absurdly the gigantic, tenebrous ultimate gods—the blind, voiceless, mindless gargoyles whose soul is Nyarlathotep.” (“Nyarlathotep”)

St. John’s Park

Possible $150 venue for a NecronomiCon Providence 2015 picnic, if one were willing to gamble on the weather…

June 9th, 2014. The Federal Hill Commerce Association (FHCA), a nonprofit organization representing businesses on Federal Hill, recently announced that it is making St. John’s Park on Atwells Avenue available to businesses and individuals for celebrations, charity events, and outings. Copies of the St. John’s Park rental contract can be downloaded from FCHA’s website. Anyone interested in renting the park can contact Chris Chabot, FHCA’s secretary: Tel: 401-432-7783. E-mail:

St. John’s on Atwell Avenue was the setting for “The Haunter of the Dark”. The church was closed in 1991 and demolished in the early 1990s, and the site is now St. John’s Park. It has some stone posts and stairs from the old church, and a granite edging. Lovecraft also wrote a poem about a proposal to rename Atwell’s Avenue to “Columbus Avenue”.



Galpin letter from eBay

From eBay, an interesting Galpin letter to book dealer Roy A. Squires from Italy, 24th May 1981. Sold by epagana for $50, sadly.

The seller’s blurb: “Galpin approached Squires seeking assistance in disposing of his letters and documents from HPL, Frank Belknap Long and others of the HPL Circle. As reflected in the letter, Galpin had every confidence in Squires discretion, expertise and professionalism. The “Stanley” mentioned in the letter is John Stanley – the former head of Special Collections at the John Hay Library that houses the Howard Phillips Lovecraft collection. The “Hime” mentioned is Southern California bookseller, Mark Hime; and “Long” is Frank Belknap Long who needs no introduction!”

The scan is not quite the full letter, with the top and bottom appearing cropped, but it’s interesting nonetheless. Several items of biographical interest:

* He’s concerned about the ethics of selling Hart Crane letters, in terms of revealing Hart’s “private life” — presumably an allusion to homosexuality.

* He had been told that letters from Loveman were “worthless”, at least in terms of a cash sale, regardless of what content they revealed about HPL or Crane.

* He talks of “your own bulky file” in terms of making “silent omission of any documents that would risk compromising either you — or me”. Not sure what he means here. Possibly he’s talking of a bundle of letter photocopies supplied to him by Squires, and was alluding to his pre-war 1930s discussions on fascism with HPL and others? The bundle can’t have been Squires doing Derleth a favour and passing Galpin the transcripts from Selected Letters of H.P. Lovecraft vol. V (1934–1937), as that book had already been published in 1976.

* His ongoing friendship with Long, by letters. He remembers that he always liked Long the most, of the HPL circle.

* His aside on the impact of The Lord of the Rings on Italian crypto-fascists in the 1970s and early 1980s, among which it apparently generated a “following”. This seems to imply that Galpin still moved in fascist literary circles in Italy in the 1980s.





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